sorta-regular:

wolfstrela:

My bisexual-ass: I go both ways

Narrator: she in fact went nowhere. She didn’t like to leave the house

okay first and foremost, lower your voice & watch your tone

(via chocolateinthelibrary)

roguecurls:

satellite mv is for the girlies who cried when they found out the mars rover was programmed to sing happy birthday to itself

(via alloutshirt)

tagomago:

careless whimper

(via alienvauva)

ratcity:

We need to be going door to door telling men about bisexuality. We need to start standing outside grocery stores

(via alienvauva)

mostly-funnytwittertweets:

(via loonylunalovegood97)

tgoshiki:

some of the men y’all call daddy are dude at best

(via chocolateinthelibrary)

sunshineandlyrics:

*Louis’ tweets from 2010 and 2011 x x

😒 It hits harder knowing that a Producer promised Louis a solo in the second single, and he only found out it was a lie when he heard the song for the first time.

lovelovelovelarry:

oli was basically like “yeah technically i’m employed but i’m not great at that part, mostly i’m just here for the vibes” and i think that’s beautiful

klaineharmony:

livinginthequestion:

endangered-justice-seeker:

During World War II, 600,000 African-American women entered the wartime workforce. Previously, black women’s work in the United States was largely limited to domestic service and agricultural work, and wartime industries meant new and better-paying opportunities – if they made it through the hiring process, that is. White women were the targets of the U.S. government’s propaganda efforts, as embodied in the lasting and lauded image of Rosie the Riveter.Though largely ignored in America’s popular history of World War II, black women’s important contributions in World War II factories, which weren’t always so welcoming, are stunningly captured in these comparably rare snapshots of black Rosie the Riveters.

Reblogging because I’ve never seen these before, and I bet a lot of people haven’t. 

If you are really interested in this history, might I recommend both Creating Rosie the Riveter: Class, Gender, and Propaganda in World War II and Bitter Fruit: African-American Women in World War II.

(via teenagerposts)